1981年，生於臺灣臺北
學歷
2005 國立臺北藝術大學，美術學系創作組畢業
個展
2008
無影，也趣藝廊，臺北
靜默突襲，臺北當代藝術館，臺北
2005
一個永不沉下的條件，在地實驗，臺北
聯展
2008
2008臺北美術獎，臺北市立美術館，臺北
那光，金枝藝術，苗栗
遊戲競技場，牛棚藝術村12號藝術公社，香港，中國
非20℃–臺灣當代藝術的『常溫』影像展，國立臺灣美術館，臺中
假動作2008，新苑藝術，臺北
2007
2007巴黎DIVA藝術博覽會，Le Louvre des Antiquaires，巴黎，法國
立體視鏡–國際影像藝術展，北京全國農業展覽館（新館），北京，中國
主線歸零–臺灣年輕藝術家群展，CANS藝術新聞上海罐子書屋，上海，中國
Art Party–福岡‧臺北現代美術交流展，福岡市立美術館，福岡，日本
Scope Basel 2007–Urban Nomad Project<<，巴塞爾，瑞士
假動作Ⅱ，華山文化園區中2-A館（果酒倉庫），臺北
2006
2006臺北美術獎，臺北市立美術館，臺北
Co6臺灣前衛文件展–度，國立臺灣美術館，臺中
打開當代–後文件，華山文化園區中5館（再製酒作業場），臺北
跳板的兩端–面對面，也趣藝廊，臺北
假動作，南海藝廊，臺北
2005
屏東半島藝術季，墾丁大街，屏東
懸決與逝去，國立臺北藝術大學南北畫廊，臺北
當代公民，無憂國藝術派出所（蘭州派出所），臺北
2004
Co4臺灣前衛文件展–媒體痙攣，大趨勢畫廊，臺北
華山論劍–第三屆藝術家博覽會，華山創意文化園區四連棟，臺北
2003
我愛因斯坦，華山藝文特區果酒倉庫，臺北
2002
再造近況，國立臺北藝術大學南北畫廊，臺北
我們在淡水辦了一桌，淡水老街，臺北
2001
53個避難方向，華山藝文特區四連棟，臺北
行動計劃
2006 2M，臺北（協同製作：謝牧岐）
2005 半島之戀，墾丁大街，屏東（藝術團體：新台五線）
2004 高雄計劃之新崛江任務，新崛江商圈，高雄（藝術團體：新台五線）
2002 淡水計劃，淡水老街，臺北（藝術團體：新台五線）
獲獎
2008 2008臺北美術獎，臺北市立美術館，臺北（獲獎作品：「在記憶中」）
2006 2006臺北美術獎，臺北市立美術館，臺北（獲獎作品：「2M」）
2006 世安美學獎–世安藝術創作贊助，造型藝術纇，臺北
2004 2004世安美學獎–世安藝術創作贊助，造型藝術纇，臺北
典藏
2008
在記憶中（國立臺灣美術館，臺中）
反覆、軌跡和延異中（國立臺灣美術館，臺中）
Born in Taipei, Taiwan, 1981
Education
2005 B.F.A., Department of Fine Arts, Taipei National University of the Arts, Taiwan
Solo Exhibitions
2008
Shadowless, Aki Gallery, Taipei, Taiwan
Silence Attacks, Museum of Contemporary Art Taipei, Taipei, Taiwan
2005
A Condition of Never Sinking, Etat Lab, Taipei, Taiwan
Group Exhibitions
2008
2008 Taipei Arts Awards, Taipei Fine Arts Museum, Taipei, Taiwan
Blink, Jin-Zhi Gallery, Miaoli, Taiwan
Play Stadium in 2008, 12 Cattle Depot Artist Village, Hong Kong, China
Beyond 20 Degree Celsius: Exhibition of “Room-temperature Luminescence” from Taiwanese
Contemporary Imaging Art, National Taiwan Museum of Fine Arts, Taichung, Taiwan
Feigning Movement 2008, Galerie Grand Siècle, Taipei, Taiwan
2007
Digital & Video Art Fair Paris 2007, Le Louvre des Antiquaires, Paris, France
Three Dimensional Viewing Mirror - International Visual Art Festival, Beijing National Agricultural
Exhibition Center (new hall), Beijing, China
A Runaway Zero - Taiwan Emerging Artists, CANS Bookshop, Shanghai, China
Art Party - Fukuoka & Taipei Art Exhibition, Fukuoka Art Museum, Fukuoka, Japan
Scope Basel 2007 - Urban Nomad Project<<, Basel, Switzerland
Feigning Movement 2, M2-A Building, Huashan Culture Park, Taipei, Taiwan
2006
2006 Taipei Arts Awards, Taipei Fine Arts Museum, Taipei, Taiwan
Do, Co6 Taiwan Avant-Garde Documenta Ⅲ, National Taiwan Museum of Fine Arts, Taichung, Taiwan
Open Contemporary Ⅹ - Post Document, M5 Building, Huashan Culture Park, Taipei, Taiwan
The Two Ends of the Springboard - Face to Face, Aki Gallery, Taipei, Taiwan
Feigning Movement, Nanhai Gallery, Taipei, Taiwan
2005
Peninsula Arts Festival, Kenting Main Street, Pingtung, Taiwan
The Pendulum and the Past, Nan-Bei Gallery, Taipei National University of the Arts, Taiwan
Con-temporary Citizens, Lan-Zhou Police Station, Taipei, Taiwan
2004
Media Cramp, Co4 Taiwan Avant-Garde Documenta Ⅱ, Main Trend Gallery, Taipei, Taiwan
Hua-Shan Round Table - The 3rd Artist fair, Si-Lian (Four-in-Row) Building, Hua-Shan Cultural and
Creative Industry Center, Taipei, Taiwan
2003
I Love Instant, Fruit Wine Building, Hua-Shan Art District, Taipei, Taiwan
2002
Remaking Recent Developments, Nan-Bei Gallery, Taipei National University of the Arts, Taipei, Taiwan
We Hosted a Banquet in Dansheui, Taipei, Taiwan
2001
53 Exits, Si-Lian (Four-in-Row) Building, Hua-Shan Art District, Taipei, Taiwan
Performance Projects
2006 2M, Taipei, Taiwan (With HSIEH, Mu-Chi, Artist)
2005 The Love Stories of Peninsula, Kenting Main Street, Pingtung, Taiwan (N.T. Five Art Group)
2004 The Plan of Kaohsiung - Shinkuchan Mission, Shinkuchan Shopping Area, Kaohsiung, Taiwan (N.T. Five Art Group)
2002 The Plan of Dansheui, Taipei, Taiwan (N.T. Five Art Group)
Awards ＆ Honors
2008
2008 Taipei Arts Award, Taipei Fine Arts Museum, Taipei, Taiwan (Prize Work: In the Memories of…)
2006
2006 Taipei Arts Award, Taipei Fine Arts Museum, Taipei, Taiwan (Prize Work: 2M)
2006 S-An Aesthetics praise - Arts Creation Support, The Formative Arts Kind, Taipei, Taiwan
2004
2004 S-An Aesthetics praise - Arts Creation Support, The Formative Arts Kind, Taipei, Taiwan
Collections
2008 In the Memories of… (National Taiwan Museum of Fine Arts, Taichung, Taiwan)
Recurrence, Trace and Différence (National Taiwan Museum of Fine Arts, Taichung, Taiwan)
12.16.2008
12.12.2008
隙間 From the Narrow Passages - 黃亞紀 Ya-Chi Huang
「隙間」這系列完成在2001年，是我在日本創作的第三個系列作品，但即便到了今天，我仍認為作品並未完全表述我對於「full but empty, empty but full」的概念，某種程度是一篇未講完的故事。
「full but empty, empty but full」源自對於感情的體認，留學生活是快樂且孤獨的，尤其在感情生活上不能預知最後的結果，可說這句極具哲理的探討，其實只是來自20多歲青春的牢騷；但在自我提出之後，才發現如此生活性的感受，其實可以推展成思想和藝術領域的表現，聲音、視覺、空間、光線，無不是構成此奇妙次元的可能。
「隙間」是這個理念的實驗，我讓來自生活的體認回歸到生活纖細的場景，在那些我們不曾注意的各種隙縫中間，我提示某種存在。這些被強調的隙縫，猶如生活在黑暗中突然被射燈打亮、來到舞台中間；其實，「隙間」也反映出那些身處異鄉的日子中，那些無法入睡的寂靜夜裡，當視覺習慣了黑暗，卻在其中發現更為黑暗的隙縫－它或許是一個通道，通往一個未知的somewhere else；那些被我照亮的隙縫，或許代表了我對於更為黑暗的嚮往。
之後，我看過不少對於「full but empty, empty but full」相關的表現，我甚至忘了我曾經如何以「隙間」去表達，直到今年汝慧同我再把這套作品拿出來時。即便到了今天，「隙間」仍是套很美的作品，雖然它未能把那個想法講到極致，但卻真的是我旅居日本幾年不可取代的記憶。
From the Narrow Passages series was created in 2001 as my third series in Japan. Even till today, I still feelI have not expressed my thinking about “full but empty, empty but full” completely. In a way, it is a story unfinished.
“full but empty, empty but full” came to my mind when I studied in Kobe. The life living abroad is cheerful but lonely, especially it is hard to find a promised relationship. Therefore, this philosophic phrase is a sentimental statement rather than a rational consideration in the beginning. But after bringing up it, I found it can be extended into the expression of arts as well. The mystery can be interpreted in sound, vision, space, light and etc.
From the Narrow Passages is the experiment of this idea. I bring the understanding of life back to the tiny detail of my daily scene. I found the narrow seams which we usually pay no attention to and emphasized them by lighting them up. From the Narrow Passages can be seemed as my diary of nostalgia as well - there were always some nights I cannot fall asleep. When the eyes were used to the darkness, I found the darkest things are the seams and stared them. They might be the passages to somewhere I don’t know. They are the symbol I yearn for the darkness.
Till now, I saw lots of works approaching “full but empty, empty but full”. I admired them and even forgot how I have expressed the same idea by From the Narrow Passages. If curator Emma didn’t ask me to show these works, I definitely wound not remember. Even till today, From the Narrow Passages is still a very beautiful series. Although it is a story unfinished, it is my recollection of the youth.
「full but empty, empty but full」源自對於感情的體認，留學生活是快樂且孤獨的，尤其在感情生活上不能預知最後的結果，可說這句極具哲理的探討，其實只是來自20多歲青春的牢騷；但在自我提出之後，才發現如此生活性的感受，其實可以推展成思想和藝術領域的表現，聲音、視覺、空間、光線，無不是構成此奇妙次元的可能。
「隙間」是這個理念的實驗，我讓來自生活的體認回歸到生活纖細的場景，在那些我們不曾注意的各種隙縫中間，我提示某種存在。這些被強調的隙縫，猶如生活在黑暗中突然被射燈打亮、來到舞台中間；其實，「隙間」也反映出那些身處異鄉的日子中，那些無法入睡的寂靜夜裡，當視覺習慣了黑暗，卻在其中發現更為黑暗的隙縫－它或許是一個通道，通往一個未知的somewhere else；那些被我照亮的隙縫，或許代表了我對於更為黑暗的嚮往。
之後，我看過不少對於「full but empty, empty but full」相關的表現，我甚至忘了我曾經如何以「隙間」去表達，直到今年汝慧同我再把這套作品拿出來時。即便到了今天，「隙間」仍是套很美的作品，雖然它未能把那個想法講到極致，但卻真的是我旅居日本幾年不可取代的記憶。
From the Narrow Passages series was created in 2001 as my third series in Japan. Even till today, I still feelI have not expressed my thinking about “full but empty, empty but full” completely. In a way, it is a story unfinished.
“full but empty, empty but full” came to my mind when I studied in Kobe. The life living abroad is cheerful but lonely, especially it is hard to find a promised relationship. Therefore, this philosophic phrase is a sentimental statement rather than a rational consideration in the beginning. But after bringing up it, I found it can be extended into the expression of arts as well. The mystery can be interpreted in sound, vision, space, light and etc.
From the Narrow Passages is the experiment of this idea. I bring the understanding of life back to the tiny detail of my daily scene. I found the narrow seams which we usually pay no attention to and emphasized them by lighting them up. From the Narrow Passages can be seemed as my diary of nostalgia as well - there were always some nights I cannot fall asleep. When the eyes were used to the darkness, I found the darkest things are the seams and stared them. They might be the passages to somewhere I don’t know. They are the symbol I yearn for the darkness.
Till now, I saw lots of works approaching “full but empty, empty but full”. I admired them and even forgot how I have expressed the same idea by From the Narrow Passages. If curator Emma didn’t ask me to show these works, I definitely wound not remember. Even till today, From the Narrow Passages is still a very beautiful series. Although it is a story unfinished, it is my recollection of the youth.
黃亞紀介紹 | About Yachi Huang
1976 生於台北市, 現居住生活於上海
學歷
2002-03 紐約School of Visual Arts進修
2002 日本神戶藝術工科大學視覺傳達學系畢業
1998 台灣大學社會學系畢業
個展
2005 「The Model House」TIVAC台灣國際視覺藝術中心 台北
2004 「Comprehension of Half Sentence」TIVAC台灣國際視覺藝術中心 台北
2002 「普通的細碎的 未滿的」TIVAC台灣國際視覺藝術中心 台北
2001 「Absence」TIVAC台灣國際視覺藝術中心 台北
2000 「擬人化的私語」 KDU Gallery 神戶
聯展
2008 「不設防城市--藝術中的建築」 台北市立美術館 台北
2007 「築.影」攝影四聯展 TIVAC台灣國際視覺藝術中心 台北
2006 「彼岸，看見」 北京中國美術館 上海市立圖書館 北京上海
「林志玲大展」 誠品敦南藝文空間 台北
2005 「Art Taipei 2005台北國際藝術博覽會/後石器時代特展」台北世貿中心 台北
2003 「City_net Asia 2004」 韓國漢城美術館 漢城
「靈光流匯 科技藝術展」 台北市立美術館 台北
2002 「CO2台灣前衛文件展」 前美國文化中心 台北
「New Generation 2」 CASO-Contemporary Art Space Osaka 大阪
收藏單位
國立台灣美術館
評論
2003 王品驊，台灣當代美術大系 攝影與錄像藝術，P132~137，行政院文化建設委員會
2006.01 蘇匯宇，寂寞巫師的快門，P184~185，典藏今藝術
1976 Born in Taipei . Now lives and works in Shanghai
2002-3 MFA Photography and Multi-media Program, School of Visual Arts, New York
2002 Bachelor, Visual Communication Design program, Kobe Design University, Kobe
1998 Bachelor, Sociology, National Taiwan University, Taipei
Solo Exhiitions
2005 「The Model House」TIVAC Taipei
2004 「Comprehension of Half Sentence」TIVAC Taipei
2002 「commomly , incoherently , insufficiently」TIVAC Taipei
2001 「Absence」TIVAC Taipei
2000 「Personalized Murmur」 KDU Gallery Kobe
Group Exhibitions
2008 「不設防城市--藝術中的建築」 TFAM Taipei
2007 「Architecture and Photography 」 TIVAC Taipei
2006 「Seeing the Paradise - Twenty Taiwan Photographer 」 National Art Museum of China,, Shanghai Library Beijing, Shanghai
「About Lin Chi-ling」 Eslite Art & Humanities Space Taipei
2005 「Art Taipei 2005 Special Exhibition - After the Stone Age」TWTC Taipei
2003 「 City_net Asia 2004」 Seoul Museum of Art Seoul
「Stream of Encounter」 TFAM Taipei
2002 「CO2- Taiwan Avantgarde Documenta」 former AIT Taipei
「New Generation 2」 CASO-Contemporary Art Space Osaka Osaka
Collection
National Taiwan Museum of Fine Arts
學歷
2002-03 紐約School of Visual Arts進修
2002 日本神戶藝術工科大學視覺傳達學系畢業
1998 台灣大學社會學系畢業
個展
2005 「The Model House」TIVAC台灣國際視覺藝術中心 台北
2004 「Comprehension of Half Sentence」TIVAC台灣國際視覺藝術中心 台北
2002 「普通的細碎的 未滿的」TIVAC台灣國際視覺藝術中心 台北
2001 「Absence」TIVAC台灣國際視覺藝術中心 台北
2000 「擬人化的私語」 KDU Gallery 神戶
聯展
2008 「不設防城市--藝術中的建築」 台北市立美術館 台北
2007 「築.影」攝影四聯展 TIVAC台灣國際視覺藝術中心 台北
2006 「彼岸，看見」 北京中國美術館 上海市立圖書館 北京上海
「林志玲大展」 誠品敦南藝文空間 台北
2005 「Art Taipei 2005台北國際藝術博覽會/後石器時代特展」台北世貿中心 台北
2003 「City_net Asia 2004」 韓國漢城美術館 漢城
「靈光流匯 科技藝術展」 台北市立美術館 台北
2002 「CO2台灣前衛文件展」 前美國文化中心 台北
「New Generation 2」 CASO-Contemporary Art Space Osaka 大阪
收藏單位
國立台灣美術館
評論
2003 王品驊，台灣當代美術大系 攝影與錄像藝術，P132~137，行政院文化建設委員會
2006.01 蘇匯宇，寂寞巫師的快門，P184~185，典藏今藝術
1976 Born in Taipei . Now lives and works in Shanghai
2002-3 MFA Photography and Multi-media Program, School of Visual Arts, New York
2002 Bachelor, Visual Communication Design program, Kobe Design University, Kobe
1998 Bachelor, Sociology, National Taiwan University, Taipei
Solo Exhiitions
2005 「The Model House」TIVAC Taipei
2004 「Comprehension of Half Sentence」TIVAC Taipei
2002 「commomly , incoherently , insufficiently」TIVAC Taipei
2001 「Absence」TIVAC Taipei
2000 「Personalized Murmur」 KDU Gallery Kobe
Group Exhibitions
2008 「不設防城市--藝術中的建築」 TFAM Taipei
2007 「Architecture and Photography 」 TIVAC Taipei
2006 「Seeing the Paradise - Twenty Taiwan Photographer 」 National Art Museum of China,, Shanghai Library Beijing, Shanghai
「About Lin Chi-ling」 Eslite Art & Humanities Space Taipei
2005 「Art Taipei 2005 Special Exhibition - After the Stone Age」TWTC Taipei
2003 「 City_net Asia 2004」 Seoul Museum of Art Seoul
「Stream of Encounter」 TFAM Taipei
2002 「CO2- Taiwan Avantgarde Documenta」 former AIT Taipei
「New Generation 2」 CASO-Contemporary Art Space Osaka Osaka
Collection
National Taiwan Museum of Fine Arts
12.02.2008
11.14.2008
那光 BLINK 11/22/2008-01/18/2009
苑裡十一月秋末的大風翻騰著金黃稻浪，像是在進入光照時數開始減少的冬季之前，起舞紀念台灣這一年的經歷。
金枝藝術的策劃展「那光」為這一年提供了一個空格、一個休止，邀請人們在作品前面或是在作品裡面，用呼吸、用靈通、用身體的移動去感知光的存在，邀請人們除了娛樂之外，還能在光的存在裡專心，在專心裡重新得力。
李俊陽以水墨和燈管在黑盒子裡舖置了彷彿有儀典的空間。黑光水墨吸納了足夠的光，一旦空間充滿了黑暗，甫在光裡所等待的以及所醞釀的便會開始绽放鮮彩繁花。那花的鮮豔色彩不屬於日光也不屬於黑暗，它們存在於一個必須透過真誠才得召喚出來的隱匿世界。
李俊陽以水墨和燈管在黑盒子裡舖置了彷彿有儀典的空間。黑光水墨吸納了足夠的光，一旦空間充滿了黑暗，甫在光裡所等待的以及所醞釀的便會開始绽放鮮彩繁花。那花的鮮豔色彩不屬於日光也不屬於黑暗，它們存在於一個必須透過真誠才得召喚出來的隱匿世界。
----------------------------------
每個閃爍的光點都是神諭。李艾晨在鋁板上滑移的油墨，似乎呢喃著對上帝的敬畏，似乎也看見了她試圖在不斷來回的刷擠中，去交會裂天而降的神的光芒。
--------------------------------------------
黃亞紀在日常物件裡藏匿詭譎的光，好像在一切靜止的平凡中無端騷動著什麼。看起來既是無聲的，卻又私語著什麼；看起來是無人存在的，卻又暗示著某種在場；看起來是靜止的，卻又不那麼地安靜。
------------------------------------------------------------------------------------------------
過多的延長使得時間感消逝了，還剩下什麼……。林冠名始終保持著一種冷調的詩性，不陳述什麼，不解釋什麼，用一種古典的質感讓冰冷的機械影像累積、溫存觀者的溫度，用不經意的速度。
每個閃爍的光點都是神諭。李艾晨在鋁板上滑移的油墨，似乎呢喃著對上帝的敬畏，似乎也看見了她試圖在不斷來回的刷擠中，去交會裂天而降的神的光芒。
--------------------------------------------
黃亞紀在日常物件裡藏匿詭譎的光，好像在一切靜止的平凡中無端騷動著什麼。看起來既是無聲的，卻又私語著什麼；看起來是無人存在的，卻又暗示著某種在場；看起來是靜止的，卻又不那麼地安靜。
------------------------------------------------------------------------------------------------
過多的延長使得時間感消逝了，還剩下什麼……。林冠名始終保持著一種冷調的詩性，不陳述什麼，不解釋什麼，用一種古典的質感讓冰冷的機械影像累積、溫存觀者的溫度，用不經意的速度。
-------------------------------------------------------------------------------------
光，在姚仲涵的手中不斷地被具體化。所以光可以有速度，光可以有節奏，光可以在人的移動裡被控制它的反應，光也可以透過聲音讓你聽見它自己。
光，在姚仲涵的手中不斷地被具體化。所以光可以有速度，光可以有節奏，光可以在人的移動裡被控制它的反應，光也可以透過聲音讓你聽見它自己。
In the late autumn this year, Jin-Zhi Gallery is going to submit a dimension to project the whole year review.
The third exhibition “Blink” invites people to interact with multiple media art works. We introduce you to experience the being of light itself by your breath, your body movement and your spirit. It is not only for your entertainment, but also for your concentration with light.
Jiun-Yang Li uses black light and growing in the dark ink to draw enough illumination in order to summoning the invisible mysterious world.
The third exhibition “Blink” invites people to interact with multiple media art works. We introduce you to experience the being of light itself by your breath, your body movement and your spirit. It is not only for your entertainment, but also for your concentration with light.
Jiun-Yang Li uses black light and growing in the dark ink to draw enough illumination in order to summoning the invisible mysterious world.
--------------------------------------------
Ai-Chen Lee brushes the oil paint on the aluminum plate. The brilliance from her aluminum canvas seems to encounter the light from the god.
------------------------------------------------------
It seems silent and static but it whispers something; it looks like nobody’s place, but implies a presence. Ya-Chi Huang’s photography speaks a strange and hidden light from everyday objects.
-------------------------------------------------------------------------
What left when the time goes by… Guan-Ming Lin always keeps a poetical tone to his work. Using a kind of classical texture to apply on the cold digital image and it attracts the audience’s participation gradually.
--------------------------------------------------------------------------------------------
Light becomes a concrete thing from Chung-Han Yao’s installation. Thus we can see its reaction from our movements; we can hear light itself through the sound.
Ai-Chen Lee brushes the oil paint on the aluminum plate. The brilliance from her aluminum canvas seems to encounter the light from the god.
------------------------------------------------------
It seems silent and static but it whispers something; it looks like nobody’s place, but implies a presence. Ya-Chi Huang’s photography speaks a strange and hidden light from everyday objects.
-------------------------------------------------------------------------
What left when the time goes by… Guan-Ming Lin always keeps a poetical tone to his work. Using a kind of classical texture to apply on the cold digital image and it attracts the audience’s participation gradually.
--------------------------------------------------------------------------------------------
Light becomes a concrete thing from Chung-Han Yao’s installation. Thus we can see its reaction from our movements; we can hear light itself through the sound.
11.13.2008
呂東興台南個展-為愛走天涯
2008/11/8 ~ 2008/12/28
呂東興的駭俗陽具恐龍這次要在純樸的台南仁德鄉駐腳了。可能因為先前在八月結束的台北藝術博覽會上囂張了太用力，所以需要曬曬南部的太陽，在102藝術舒服小巧的空間裡喘口氣……。「雖然都是陽具的變體，大部份卻沒有想著關於性的事情」，呂東興屢屢被問及使用陽具圖像的動機時，總是透露他其實比較傾向政治的批判，只是把罵人的方式轉化詼諧一點而已。所以才能讓不少人在他的陽具恐龍作品前哈哈大笑或是神會莞爾。
Venue > 102 Gallery
台南縣仁德鄉成功三街102號 06-2609627
訂閱：
文章 (Atom)
發表文章
